WATCHING SPRING

crowAbiding in stillness,
Watching, watching.

Trees and grasses
Eat their fill
Of Father Sun
While Mother Earth
Melts winter roots
In the mud.

Resting in stillness,
Watching, watching.

Large black leaf drops
To ground:
Crow.
Strutting;
Head cocks,
Breaks fast in the grass.

Being in stillness,
Watching, watching.

An old man with a white beard
Wears a bright orange turban;
A child points.
Cane ready,
The brown and gray woman
Sidles past geese.

Remembering in stillness,
Watching, watching,

A red ball with blue stars
Rolls by:
The no-more boy is remembered.
Sorrow;
It is as if it is
The first time.

Abiding in stillness,
Watching, watching
Eternal spring.

THE LION RETURNS

lionA high wind from the northeast barrels down the throat of the big valley,
tossing the oak’s heavy limbs like sheets on a line.
The wind is not gentle today, nor is its voice a whisper
but rather the muffled roar of a fast train in a morning’s light.
The lion of March has returned and blows young leaves off trees
and roughly presses flower heads back into their beds.
Cool and sharp and damp the lion’s breath stabs skin and bones
while the golden sun shines on in approval.
No clouds mar the smooth blue complexion of the sky,
no birds travel the currents of its highways.
Overhead a sharp silver thunderbird spreads its wings
and wrestles with headwinds on its journey north.
The surface of the creek trembles with nervous ripples
while green trash cans roll and cars rock gently at red lights.
Dogs with their walkers prance the pathways of the park,
tails plumed and waving, high noses drinking in spring aromas.
Holding my head in its windy roar, the lion catches my breath,
then flings it away.

ZEN SHOWCASE

Miles to Go

Miles to Go

A few pieces of my art were used in the Spring edition of THE ZEN SPACE, an online haiku journal edited by Marie Marshall. If you enjoy the minimalism of this genre of poetry, put on the tea kettle and mosey on down to … http://thezenspace.wordpress.com/experience/spring-2013-showcase/

Marie also has a blog of her own poetry at http://kvennarad.wordpress.com/author/kvennarad/. Drop by for a visit.

POST SCRIPT

cycleIf I write a post for the blog or do some kind of art, I feel I have earned my keep for the day. There is a feeling of satisfaction, of duty done, of requirements fulfilled. On the other hand, when I don’t write or do art, I feel adrift, without purpose. The day seems shallow and pale.

Since February I have been in a painting cycle when art predominates. These periods usually last from six to eight weeks. At the beginning the brush feels clumsy in my hand, the paper is stubborn and the ink indifferent. What is most important at this early stage is to persevere which often means making sloppy, inarticulate pictures and wasting some good paper. It is almost a sacrificial ceremony or rite of passage.

After a day or two or three, the ink and water become more tractable, the paper receptive and the brush responsive. Then the real painting begins and usually continues for several weeks. Of the 50+ pictures produced perhaps five or six are good and I am satisfied.

The third phase of the work is the winding down process which is where I am now. I will have the desire to paint and create but the well is running dry. Slowly the brush starts to falter, the ink to smear and the paper to become cold and isolated. I know it is time to stop but I am reluctant to leave the creative high. I am reluctant to feel I am not earning my keep and so I turn to writing.

All of the words that have been left simmering on the back burners start to heat up and spill over and sputter on the grill of my mind. And so for the next month or two, I will use words rather than images to communicate. One medium is not better than another, one is not easier.

It is in this period before the new cycle takes hold that I am restless and unfocused. While I wait for the words to arrive, I think of a poem I wrote many years ago when I was just learning how to listen to the voice.

AB POSITIVE

I opened a vein
this morning
and bled a poem
all over this clean white sheet
staining it a rich burgundy.

Hot tears
will not remove it
but you can
try ice.

GOLDEN MOMENTS

violetsI’m really bad at remembering names and even worse at repeating a story as told. Everything in my world is a paraphrase, it seems. With that caveat, here goes.

A young monk was sitting with his dying Zen master. “How do you feel, master,’ the student asked. “I am thinking of those golden moments of my life when I was truly awake,” the old master replied. “How many can you remember, sire?” “Twenty-five,” the old monk replied and with a sigh added, “Now, my teacher was a really great man and at the end of his life he could remember a whole hour.”

How often are we really ‘awake’? By that I mean how often are we fully alive, alert, non-personal, completely present. We are given a taste of that state periodically. Perhaps it is a dawn or sunset that is so beautiful that all thinking stops and we just see. Maybe it is the near car accident when we spin on an icy patch and time hangs suspended. It can be the sight of a newborn child, the death of a friend, an aria.

The other day I was thinking about the little Zen anecdote and began listing those out-of-time moments I have experienced in my own life. One of the earliest was climbing over a metal pipe fence, going down a steep grassy slope and exploring the small stream that ran alongside the street I walked on my way from school in the second grade.

On that spring day the rushing stream was full from recent rains which gave it a grumbling, rumbling voice. In its headlong rush to the distant river, the stream was swallowed up by the hungry mouth of the large, dark sewer pipe. A frisson of fear shot through me as I imagined myself whisked on that journey. As I scrambled up the bank, I looked across the stream and saw splashes of bright purple in the tall green grass. They were spring violets.

The other moment with violets happened more than twenty years later. One morning my younger son and I went for a walk in the nearby woods. We were strolling through a large open field on the top of a gentle hill. The lake was below, the sun above, the grass still wet with dew.

“Mommy,” I heard him call, and when I turned I saw my four-year old son, his blond hair blowing, a wide smile on his face and in his hand a fistful of wild flowers, running across the spring green grass as thousands of small pale violets were tossed and tumbled in the breeze. For an instant time stopped.

I think it is moments like these we will remember at the end of our lives – along with the ones that are more painful. Below is a poem I wrote many years ago that reminds me of these fleeting moments.

 

Say Not Wait

What is life but the splinters
of golden moments drilled and strung
and mounted in a net woven
by old women sitting in high clouds
chanting forgotten songs to dead heroes.

What is love but a white knight
who goes to distant lands in search
of the fair Elaine who carries the cup
whose lips Christ touched
one starry night before the blood came.

What is desire that we should say
‘wait’ or ‘I can not’ or ‘I am not ready’
because when we do, love slips away
into the forests of time leaving not
a trail for birds to follow anywhere.

So how can we say ‘no’ or ‘stop’
or ‘wait’ to the river that flows on
without ceasing. But reaching up,
let us grab the back of a fin and
slide beneath the waves and taste eternity.

POETRY 2012

There are some things that can best, or only, be expressed in poetry. I recently put together a little book of poems most of which were written in 2012. One of my tasks for the coming year is to learn how to create e-books but for now I’ve embedded Poetry 2012 as a PDF. I hope you find something you enjoy.

Poetry 2012

THE GOLDEN LIGHT OF AN AUTUMN DAY

Yellow Trees 2012

On Sunday evening I received an email from Word Press saying that my Insha’Allah post would be on Freshly Pressed. I wasn’t even sure what that meant but when I looked it up I was surprised and grateful. More than 1,000 visitors came to the blog over the next two days and hundreds of them ‘liked’ the post or left messages of sympathy for the family I had written about. I know these kind thoughts were felt by my friends and I thank all of you for your compassion. 

I visited the site of each person who ‘liked’ the post and spent hours reading about their many diverse and interesting journeys. There were men and women from India, Malaysia, Africa, England, Norway, Canada, Pakistan and more; they were young teenagers to old grandfathers. Some decided to follow the blog.

To all of the newcomers, I hope you enjoy future postings. They won’t all be serious or sad and they won’t be regularly scheduled. I write to examine the twists and turns of my mind, to capture a moment, to tell a story but most of all I write because I must. I hope that my ponderings find a resonance with you.

Today I have a poem for you that was inspired by our beautiful autumn weather which yesterday reminded me of the kindness of an old grandmother. The next post will be a funny one that will finally explain why women cry when they are angry.

 

THE GOLDEN LIGHT OF AN AUTUMN DAY

Steady, solid, centered,

This November day glows

Like a fat bellied Buddha

While green, yellow and orange trees

Are etched against the smile

Of the Mona L isa sky.

In the golden afternoon

The old dog on the porch

Trembles and dreams

Of chasing rabbits in the woods

And drinking from rocky streams

That run clear and sweet.

Her cheeks rouged with red berries,

Her lips plump as melons,

November rests as pumpkins ripen

On frost-tinged vines encircling scarecrow legs

That stand alone in brown fields

Under a chill silver moon.

Wearing the dignity of a old grandmother

Who hugs children and feeds her cat

From a clean green bowl,

November walks slowly and leans heavily,

Her cane tapping out the measure of each day

While Basho’s crow sounds a cry of joy

Wrung from the great bell of age.

Reverberations tremble through the air

To create the seed that will sleep

Until the womb of time opens

At solstice when the fire

That dances in the furnace of the sun

Ignites the fire in my soul.

TWO POEMS

I GAZE UPON THE EARTH

I gaze upon the earth from which I was drawn,

pulled head first into life,

my marrow sucked through roots and branches,

my blood siphoned from the sea,

my voice sliced from the coyote’s cry.

Given form, then loosened to find my way,

a nomad, I wandered the labyrinth of life,

not knowing, unknowing, ignorant,

I roamed, confusion in my wake,

until bone rattled, I learned to dance.

Nightfall

SISTER SERENE

White goddess gains confidence and boldly steps

through midnight curtains, splendid, proud and unflappable.

Majestic, you arrive to survey your nocturnal kingdom,

unblinking moon eye beams down silver light

across harvested fields littered with pumpkins and corn.

My virgin sister, cool goddess of the night, Serene,

clouds hover round the corners of your mouth

as a young poet plays his flute and you float down the starry Way.

Your royal barge makes no waves in the cosmic ocean of my dreams.

Will you visit me tonight while I lay alone in the narrow bed of age?

Will you kiss my lips as once you did when I was lush

and fruit-ready, my womb wet with life?

I count the stars as they arrive singly and in pairs

until night’s ballroom moves in the ancient dance.

A MAN OF CIRCLES

Circles 3

A man made of circles

He rolls into my life

A river through my valley

As I stand upon the shore

A witness to his flood.

Steeped in life’s deepest pools

Streaming from core scented wells,

He pours over me,

Running new courses

Through the bed of my body.

Obstacles pushed aside,

Floating effortlessly,

Washing all clean

And leaving behind

A fresh mown mind.

A man made of circles,

He rolls through my life.

Hooping round my heart,

In loops he dances

As he ever closer comes.

Ever nearer,

Ever circling,

Surrounding me,

Until he slakes

The desert of my soul.

WATER DRAGON & FIRE BIRD

The knight comes before the King,

The lady in waiting precedes the Queen;

When the circle of time has been completed

All thing return to the beginning place

Where everything possible is made new.

First, one hand clapping is heard,

Followed by the chorus of horns.

The Water Dragon comes.

Cymbals clash as his armies move,

Choruses sing his praises.

In splendor, the Dragon King sits

Atop the elephant whose head is a mountain,

Whose legs uphold the world.

At each step the thunder rolls

And heaven resonates in answer.

A rush of air smoky with incense,

Announces the arrival of the Phoenix.

Hot, bright, restless, she alights,

Surrounded by her ladies,

Her flaming wings stretched wide.

They sing and the Fire Bird burns

Higher and higher,

Incandescent and clear.

Then she dances for the Dragon

And brings all things into being.

“it is good,” the King says,

And all are waved away

As he invites the Phoenix

Into his temple where she sits

On silken cushions as he sings to her.

Long stay they in that place

And explore the mountain passes

And secret valleys.

They gaze with long eyes

Into each other’s hearts

And see there riders in procession

Across a high mountain desert

Where Portola sits

In endless bliss

Under Arjuna’s bow.

Spreading herself wide,

An empty bowl under Heaven,

The Phoenix opens the flower gate

And the Dragon showers her with stars

Pouring out his endless oceans

Into her fathomless depths,

Into the darkest midnights

Beneath the polar moon,

Until at last the Queen becomes

The Eternal Flame

And transforms her dragon lover

Into a mist

Which rises

Once again

Into Heaven

Where they sleep

In each other’s arms,

In each other’s dreams,

In each other’s spirit,

In each other’s tomorrows,

Until at last

The Water Dragon stirs,

Then calls

To the Fire Bird

“Awake, Beloved. Come!”

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